Thursday, 26 November 2015

no map. no journey. no pearls.

Carbon paper drawing (detail) from 2010. 297mm x 420mm.
5 years ago ... same themes to 'Weight, the sea' project.

Wednesday, 25 November 2015

example 5

Example 5. A woman dreamed she saw a white rowboat by a quiet lake. In waking life, she was frustrated with how long and difficult it was to leave her husband.

Saturday, 21 November 2015

the time that a body takes

the time that a body takes to slide is constant  (photographs, sewing pattern, paper, pencil.) 175 x 240 mm.

Friday, 20 November 2015

example 3

Example 3. A woman dreamed she climbed a mountain. In waking life she was finding it hard to meet her goals.  (35mm film. ink)

Tuesday, 17 November 2015

example 10

Example 10. A woman dreamed of drowning in a river. In waking life she was experiencing grief over the death of a loved one.  (35mm film, ink.)

Thursday, 12 November 2015

wounds heal all time

Originally, this was a darker, monochrome print, stamped with 'normal' braille. I revisited it today, printing it as I'd first found it to show the colour of mould and decay. I used a more delicate braille -- fittingly, called 'Balkan Peninsula' -- to let a bit more of the image come through.

Tuesday, 10 November 2015

free halo for lady players

'free halo for lady players' (photograph, silver frame, statue, heather, brass, sea glass) 30 x 175 x 350 mm glass box.

Thursday, 5 November 2015

woe honey

Woe Honey. glass vials, seeds, (cut leaf mignonette, ox eye daisy, red campions, mixed lupines, lucerne, hemlock, ranunculus acris, rapeseed) hair, surgical lint. 7.75 x 7.25 x 2 inches.

Tuesday, 3 November 2015


Work in Progress. I'm always hesitant about showing unfinished work but sometimes putting it out there gives me a different perspective, allows me to see it more objectively. This is a collection of different material from the 'Weight, the sea' project in a handmade box frame.  14 x 16 x 2.5 inches.

Monday, 2 November 2015

Sarmad / Risography

So happy to see this glimpse of Sarmad Book Two -- printed in the pre-digital, Risography technique, hand-collated, and produced with such care and attention by Charles Nypels Lab / Van Eyck Academie in Maastricht.